[Review/Analysis] Editorial Depictions & Sekaiichi Hatsukoi/Junjou Romantica

By: Peggy Sue Wood | @pswediting Sekaiichi Hatsukoi (and its related series Junjou Romantica) has always been an interesting series to me because of the snippets of real-world publishing details that come into play. In fact, when I first became interested in entering a publishing career back in freshman year of college, this series was recommended to me by a close friend of mine. I … Continue reading [Review/Analysis] Editorial Depictions & Sekaiichi Hatsukoi/Junjou Romantica

[Recommended Read] Comic Editing

By: Peggy Sue Wood | @pswediting Comic editing and book editing are different in several ways. Comics include layout and visual elements; there are scripts (like movies) and pacing to consider; oftentimes the work is collaborative with different writers, artists, colorists, etc.; and there is even a difference in how marketing targets the audiences of the medium. However, editing involves more than just content. It … Continue reading [Recommended Read] Comic Editing

[Language Debate] Tankōbon Is Not A Volume?

By: Peggy Sue Wood | @pswediting A few years ago a friend and I applied for an open Editor position at Kodansha (US). I made it far enough to warrant a few calls from HR, though not far enough to fully interview (sadly, my language skills were not able to meet the role requirements). My friend, however, has stronger Japanese skills and looked like they … Continue reading [Language Debate] Tankōbon Is Not A Volume?

[Commentary] The Blurring Lines Between Shōjo and Shōnen May Mean Changes In Genre Classification Moving Forward

By: Peggy Sue Wood | @pswediting When you visit a department store, you typically see sections organized by gender, age, and/or product type. Similarly, in the book world, genres serve as separate departments, with subcategories designed for specific interests. In Japan, this is further categorized by age and gender demographics. Typically, in Japan, the demographic categorizations of manga genres are divided into Josei (aimed at … Continue reading [Commentary] The Blurring Lines Between Shōjo and Shōnen May Mean Changes In Genre Classification Moving Forward

[Reflection] Things We Missed In 2022

By: Peggy Sue Wood | @pswediting Hello, Everyone! We’re a little over half-way through 2023 now, and I believe now is an opportune time to reflect on some of the things we may have missed in 2022. While we at TAV haven’t typically done this in the past, I think it’s important to take a moment to look back and review some of the significant … Continue reading [Reflection] Things We Missed In 2022